时间:
04月14日 ~ 06月15日 每周二至周日 10:00-18:00
地点: New York City 170 Central Park West, New York, NY
费用: 18元(Adult) 12元(Student) 0元(NYU Student)
类型: 展览
页面: http://www.nyhistory.org/exhibitions/bill-cunningham-facades
New-York Historical Society
170 Central Park West
at Richard Gilder Way (77th Street)
New York, NY 10024
Phone (212) 873-3400
TTY (212) 873-7489
In 1968, photographer Bill Cunningham embarked on an eight-year project to document the architectural riches and fashion history of New York City. Scouring the city’s thrift stores, auction houses, and street fairs for vintage clothing, and scouting sites on his bicycle, Cunningham generated a photographic essay entitled Facades, which paired models—in particular his muse, fellow photographer Editta Sherman—in period costumes with historic settings.
Although by turns whimsical and bold, Cunningham’s project also was part of the larger cultural zeitgeist in New York City, during an era in which issues surrounding both the preservation and the problems of the urban landscape loomed large. The photographer donated 88 silver gelatin prints from the series to the New-York Historical Society in 1976, and now, almost four decades later, Cunningham’s work will be reconsidered in a show that will highlight the historical perspective the photographs suggest—not just of the distant past, but of the particular time in which they were created.
04月14日 ~ 06月15日 每周二至周日 10:00-18:00
地点: New York City 170 Central Park West, New York, NY
费用: 18元(Adult) 12元(Student) 0元(NYU Student)
类型: 展览
页面: http://www.nyhistory.org/exhibitions/bill-cunningham-facades
New-York Historical Society
170 Central Park West
at Richard Gilder Way (77th Street)
New York, NY 10024
Phone (212) 873-3400
TTY (212) 873-7489
In 1968, photographer Bill Cunningham embarked on an eight-year project to document the architectural riches and fashion history of New York City. Scouring the city’s thrift stores, auction houses, and street fairs for vintage clothing, and scouting sites on his bicycle, Cunningham generated a photographic essay entitled Facades, which paired models—in particular his muse, fellow photographer Editta Sherman—in period costumes with historic settings.
Although by turns whimsical and bold, Cunningham’s project also was part of the larger cultural zeitgeist in New York City, during an era in which issues surrounding both the preservation and the problems of the urban landscape loomed large. The photographer donated 88 silver gelatin prints from the series to the New-York Historical Society in 1976, and now, almost four decades later, Cunningham’s work will be reconsidered in a show that will highlight the historical perspective the photographs suggest—not just of the distant past, but of the particular time in which they were created.
